https://lantower-records.com No restauramos Audio, restauramos Música Thu, 24 Jul 2025 20:08:18 +0000 es hourly 1 https://wordpress.org/?v=6.9.1 https://lantower-records.com/wp-content/uploads/prelistens/alberto-munoz/la-marca-de-cain/cd1-abel-cazador-de-cain/cropped-lantower-records-icon-32x32.png https://lantower-records.com 32 32 https://lantower-records.com/shop/ornette-coleman-live-berliner-jazztage-november-4th-1972/ https://lantower-records.com/shop/ornette-coleman-live-berliner-jazztage-november-4th-1972/#respond Sat, 06 Jan 2024 14:40:55 +0000 https://lantower-records.com/?post_type=product&p=8558 Descripción del Producto: Continuando con la serie de publicaciones de los conciertos que tuvieron lugar en el Berliner Jazztage, Lantower Records presenta la Restauración del Concierto que diera Ornette Coleman en este set donde se presenta al piano y saxo alto para una improvisación articulada en ambos instrumentos. [expand title="+info" swaptitle="-info" trigpos="below"]Características de la Restauración: Sin Compresión ni filtro alguno para evitar perder o deformar la calidad de sonido y conservar el rango dinámico original. Se aplicaron controles para sonidos fuera de registro o "rotos", con el fin de amabilizar la escucha. Sonidos saturados provenientes de la grabación original han sido reparados. Product Description: Continuing the series of releases of the concerts that took place at the Berliner Jazztage, Lantower Records presents the Restoration of the Concert Ornette Coleman in this set where he presents the piano and alto saxophone for an articulated improvisation in both instruments. Restoration Features: No Compression or Denoiser to avoid losing or deforming the sound quality and preserve the original dynamic range. Controls were applied for sounds out of register or "broken", in order to ease the listening. Saturated sounds from the original recording have been repaired.[/expand]]]> (i) Debido a su alta calidad, las muestras pueden demorar unos segundos antes de comenzar a ejecutarse.

]]> https://lantower-records.com/shop/ornette-coleman-live-berliner-jazztage-november-4th-1972/feed/ 0 https://lantower-records.com/shop/ornette-coleman-quartet-theatre-du-palais-de-chaillot-october-1971/ https://lantower-records.com/shop/ornette-coleman-quartet-theatre-du-palais-de-chaillot-october-1971/#respond Mon, 24 Jul 2023 15:22:21 +0000 https://lantower-records.com/?post_type=product&p=7275 Características de la Restauración: Sin Compresión ni Denoiser alguno para evitar perder o deformar la calidad de sonido y conservar el rango dinámico original. Se aplicaron controles para sonidos fuera de registro o "rotos", con el fin de amabilizar la escucha. Sonidos saturados provenientes de la grabación original han sido reparados. Los arreglos musicales (en especial la línea del contrabajo), y armónicos de los instrumentos pueden escucharse en completo balance sonoro con la mayor transparencia y definición posibles por primera vez en 51 años. One of the main innovators of Jazz in the early 1960s, coining the phrase Free-Jazz in 1961, Ornette Coleman was rejected in its beginnings. Jazz musicians didn’t want to play with him. He didn’t know how to improvise on chords, they said. He came from somewhere else. He came from nowhere... And from there, from that territory outside the solar jazz system, it appeared to change the music in a definitive way. "Harmolody is not a style, but a conception of music," explained Coleman, who came to sign letters with the formula "harmolody yours. It referred to a term coined by him and which, beyond its esoteric implications, was, according to Don Cherry, "one of the deepest systems of both the West and the East". The word, an obvious combination of harmony and melody, spoke in reality of an integration between the solo role and that of accompaniment and of a dissolution of the weight of the chords in the design of the course of a theme or an improvisation. The idea goes in the same direction as another of Ornette’s brands, the groups without piano, an instrument that, according to him, defined the harmonic field too much. In 1962, Ornette Coleman, feeling undervalued by his record company and the clubs where he played, surprised the jazz world by retiring for a period. He started playing trumpet and violin. In the late 1960s, Coleman formed a quartet with tenor sax Dewey Redman, Charlie Haden on double bass and Ed Blackwell on drums. Lantower Records presents the Restored Edition of the UNPUBLISHED Concert to date at the Théâtre du Palais de Chaillot in 1971 with the aforementioned line-up that includes live versions that had appeared in 1968’s Love Call and 1971’s Science Fiction Sessions Restoration Features: No Compression or Denoiser to avoid losing or deforming the sound quality and preserve the original dynamic range. Controls were applied for sounds out of register or "broken", in order to ease the listening. Saturated sounds from the original recording have been repaired. The musical arrangements (especially the double bass line), and harmonics of the instruments can be heard in full sound balance with the greatest possible transparency and definition for the first time in 51 years [/expand]]]> (i) Debido a su alta calidad, las muestras pueden demorar unos segundos antes de comenzar a ejecutarse.

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