Muddy Waters Blues Band Paris 1968

Lantower Records presenta la versión Restaurada de este Concierto de Muddy Waters en París 1968.

Características de la Restauración:
No hay compresión. No se utilizan filtros. Las frecuencias se equilibraron para lograr un sonido general equilibrado. Se aplicaron controles para sonidos fuera de registro o “rotos”, con el fin de facilitar la escucha. Dada la diferencia en la calidad de sonido entre las pistas durante el concierto, se hizo un intento de hacer el sonido general lo más homogéneneo posible. En todos los temas se buscó conciliar el respeto por la estética original de las grabaciones en vivo de la época con las actuales posibilidades tecnológicas en relación con la recuperación del timbre y los fantasmas del sonido de cada instrumento, dar al registro el mayor realismo posible. Todos los cambios de altura han sido reubicados a su tono original. El lenguaje y la estética musical de Muddy Waters y su Blues Band se pueden escuchar en el mejor equilibrio de sonido posible con total transparencia y definición por primera vez.

On November 4, 1968 Muddy Waters performed with his Blues Band in a crowded Salle Pleyel.
The Blues Band also had the piano and as vocalist Otis Spann, played on that occasion some of the classics of the repertoire of Waters, such as Hoochie Coochie Man, Got My Mojo Working and Train Fare Home.
Lantower Records presents the Restored version of this Muddy Waters Concert in Paris 1968.

Restauration features:
No compression. No filters used. Frequencies were balanced to achieve a balanced overall sound. Controls were applied for sounds out of register or “broken”, in order to ease listening. Given the difference in sound quality between tracks during the concert, an attempt was made to make the overall sound as homogeneous as possible. In all the themes it was sought to reconcile the respect for the original aesthetic of the live recordings of that time with the current technological possibilities in relation to the recovery of the timbre and the ghosts of the sound of each instrument, giving the register as much realism as possible. All height shifts have been relocated to their original pitch.The language and musical aesthetic of the Muddy Waters and his Blues Band can be heard in the best possible sound balance with total transparency and definition for the first time.